![]() It is this kaleidoscope that allows us to celebrate the infinite richness of Agustina’s work and, in turn, it is this infinite richness that allows us to enlarge the kaleidoscope, adding glasses, mirrors, reflections or, as the writer would say, “human proof of love, justice, truth”.Īlain Corbel was born in Brittany, France, in 1965. Through them, these women and their narratives, we come across ten of Agustina’s books once again through them, these portraits and the way they have been recreated from passages, we engage with ten perspectives on how to read Agustina’s work, which may or may not coincide with ours. And also of Lourença, Purinha, Ofélia, Camila, Ema, Fisalina, Rosalina and Ana. Sampaio, João Fazenda, João Maio Pinto, Luis Manuel Gaspar, Mantraste, Pedro Lourenço, Sebastião Peixoto, Susa Monteiro and Tiago Manuel) includes depictions of Quina, the Sybil, and Fanny Owen. This exhibition of portraits by ten illustrators (Alain Corbel, Cláudia R. ![]() ![]() ![]() As Agustina said, “ The model must be the artist’s intimate conscience, having spent a long time within its moral and physical evolution, to the point of having participated in it, so that one day, by dint of the creative and vindictive memory, it appears as a portrait. ![]()
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